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1964-70:
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Residence
in Paris, France |
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1970-83:
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Residence
in Zurich, Switzerland (first drawings, pencil, pastel,
portraits)
Commercial High School |
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1985-87:
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Residence
in London, England (studies and work in Hotel industry) |
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1987-89:
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Residence
in Rome, Italy (work in hotel industry) |
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1989/90:
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Residence
in Geneva, Switzerland (work in hotel industry) |
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1990-92:
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Bachelor
of Science in Hotel- and Travel Management, University of San
Diego, California
(first acrylics and oil paintings) |
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1993-95:
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Residence
in San Francisco (work as tour escort in the Western
United States), in between tours; first serious production
of oil paintings, first exhibition in art gallery |
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1995/96:
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Residence
in London, England, working freelance as translator,
dedicating more time to painting and self-teaching |
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1996-2000:
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Residence
in Barcelona, Spain (translator, local guiding and language
teacher) |
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since November 2000:
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Residence
in Montreal, Canada August 2004: Opening of
the Galerie Loft Hoenig |
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EXHIBITIONS: |
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May
1995:
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San Francisco, California,
Gallery "Cowboys & Angels" |
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Dec.
1995:
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London,
England: "Café des Arts", |
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March
1996:
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London,
England: "Café des Arts" |
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March
1997:
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Barcelona,
Spain, Café/Bar "expo Punto BCN", |
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June
1997:
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Barcelona,
Spain, Galeria Raço de Francesc |
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Aug.
1997:
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Barcelona,
Spain, Gallery Beaskoa |
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July
2001:
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Montreal,
Festival des Arts du Village
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Feb. 2002 -
Feb. 2003:
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Atelier Hoenig in Montreal, open
to public for daily visits
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July 2002:
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Montreal Festival des Arts du Village
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Oct. 2002:
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Participation at the Black&Blue Festival
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July 2003:
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Festival des Arts du Village
|
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July 2003:
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Art Show "Le Port des Arts",
at the Old Port,
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Oct. 2003:
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Participation at the Black&Blue Festival
|
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Oct. 2003:
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Montreal, Galerie "Arts & Culture"
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Auberge Sans Soucis, Old Montreal
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Nov. 2004:
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Galerie 1637, Ave. Sherbrooke, Montreal
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Aug. 2004:
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Opening of the Galerie Loft Hoenig, 344 Notre Dame East,
ongoing solo exhibition
|
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July 2005: Gallery Medius, Marché Bonsecours, Montreal |
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Light and transparency,
emotions and intensity. The colors of a landscape, the feel of
a drape, the honesty in a person's face, the innocence of a
child, the sensuality of a
human body. A story to tell in each painting, not by the
painter, but by the viewer.
Pascal Hoenig
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